For the conscious writer
“We are agents of beginnings.” –Art as Existence by Gabriele Guercio.
When I first started writing, I wanted to hide behind my creations. I wanted to be an anonymous figure that created something powerful. For me, there was a sense of humility in creating a profound piece of art while living in secret without all the reviews and rewards. Living a private life, hidden from the world is something I do treasure. So this seemed like a marvelous path. But there’s a problem with this mindset. First, let’s talk about our new beginnings.
“Who am I?”
One of the most important questions we can ask ourselves as artists. This really is the bedrock of our creations. This is where writing is transformed from mimicry to individual and original works. Okay, now that we’ve clarified our foundation, let’s keep moving forward. What accompanies our who?
With our “who” we are led to our why? Like, why are we writing? Then we are led to our what? What are we doing about our why and our who? For clarity, this might be what your why looks like:
I am the representation of a strong woman who perseveres as a writer to show others the gifts and tools writing can provide.
Ok, let’s just say you know your why, how are you acting on that? Not in your art, in your life. What are you actively doing to pass on this mindset? So what I’m saying is, you are what you do. Not what you’ve done but what you do presently. The monotony, the unexpected, the things you say yes to are all who you are. This isn’t to create a sense of unforgiveness or shame but to bring awareness to your actions as a conscious writer.
I am [insert your action] because [insert why].
When you begin to explore your who, the goal is, or should be, to become aware of both your internal and your external until you overcome the gap. Freud would say making the unconscious conscious. Whatever you label it, this exploration has no end. Closing the gap between the two isn’t to reach a fixed state. It should be understood as a constant “production of presence.” According to Gabriele Guercio in Art as Existence; Hanna Arendt, a twentieth-century great thinker, argues,
for a view of the the human condition in which everyone’s insertion in the world must be understood as a ‘second birth,’ singularity revealed via praxis. This birth ‘is not the beginning of something but of somebody, who is a beginner himself.’ It occurs when one stops belonging merely to a natural species and asserts one’s own initiative.
We are a species of new beginnings. The initial “insertion into the world” (what Arendt would like us to call second-birth,) is what some call self-actualization. Part of the second birth is accepting that we aren’t a fixed state. Which means your “who” and your “what” can evolve and change as the gap between the two closes. And as it closes you become fully embodied in your who. What a beautiful thing it can be to become an unpredictable and unique individual. Someone with their own initiative who doesn’t just go with the flow of things.
This is why my mindset shifted from hiding behind my art. I realized that my becoming is part of my novel writing. This becoming and unbecoming is what is going to make my art art. I show up with my flaws, and my mistakes, and my manic days, and my downward spirals because my awareness of all these details is going to close the gap. It’s going to insert my humanity into the world with all my “beginner” showing. It is now my intention to allow my life to compliment my art. I want to mirror something other than the outside world, I want to mirror myself.
The quotes in this article were taken from Art as Existence by Gabriele Guercio.
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