Dreamers

Don’t let them get you down

I know you probably supported them

and their dreams so much so that you lost yourself

And now that you’re reaching for the stars

 

it seems they are intentionally avoiding your endeavors

That the support you provided isn’t reciprocated

That’s ok cuz this is your fucking dream

Dream bigger since it’s just you

dream louder and longer

and don’t stop until you have everything you’ve ever wanted

just because they don’t have the courage to support you while you’re learning

doesn’t mean you’ll never be good enough

keep going keep digging

 

New England Cafes

 

 

Paul Cézanne

Paul Cézanne was a post-impressionist painter born January 19th 1839 in France. Cézanne felt that art should go hand in hand with nature. In a letter to one of his pupils, Emile Zola, he says, ” But you know all the pictures painted inside, in the studio, will never be as good as the things done outside.” He felt that an artist should see nature in a way that no one has seen it before. That they must make a vision for themselves. Not in an extremely cryptic way, but by being fully conscious of their own sensations. Of  both feelings and visual sensations in unison. And then, using intelligence, organize it into their work.

I really like that he says we must make visions for ourselves. I think at this point it’s so easy for people to say “everything’s been done” but I don’t think everything’s been done. If we take things that have already been done and mingle it with our own beliefs and experiences I truly believe we could create something that’s never been done. However if we get too caught up on trying to create the thing that hasn’t been done, we miss out on the act of creating. And that’s where the connection, or the uniqueness, lies. I don’t think creating something that hasn’t been created yet is as important as creating something that truly reflects who you are. And to create something that truly reflects who you are requires a consciousness of yourself, your feelings, your experiences, and the world through your eyes.

640px-Salon_d'Automne,_1904,_Ambroise_Vollard,_Salle_Cézanne

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Thanks for reading check out some more art tidbits

Artist Life

Odilon Redon

16 things that are part of the creative process

Pierre Puvis De Chavannes

 

Information from, Theories Of Modern Art by Herschel B Chipp

Pictures from, https://en.wikipedia.org/wiki/Paul_C%C3%A9zanne

 

 

Jan Toorop

1894_jantoorop_delftsche_slaolie

According to Mutualart.com, “Jan Toorop was a Dutch visual artist who was born in 1858. He has had numerous gallery and museum exhibitions, including at the Solomon R. Guggenheim Museum and at the Rijksmuseum. Many works by the artist have been sold at auction, including ‘Portret van mevrouw M.J. de Lange – Portrait of Mrs M.J. de Lange’ sold at Christie’s Amsterdam ‘TWENTIETH CENTURY ART INCLUDING BELGIAN ART’ in 2005 for $964,318.

I don’t know much about art sales but that’s a lot of money. It’s not only impressing that he sold a piece for that much but that he dabbled in many different styles of art including book covers, sketches, and portraits. And according to Wikipedia, Toorop was the center of an artist group in the seaside town Domburg, Walcheren, Zeeland.

The versatility in Toorop’s art is astounding! Here’s a link to see more of Toorop’s art showing how versatile he truly was.

https://aboutartnouveau.wordpress.com/2016/05/19/jan-toorop-1858-1928/ 

 

 

Featured Pic

https://krollermuller.nl/en/jan-toorop-the-three-brides

Article Info

https://www.mutualart.com/Artist/Jan-Toorop/AA106B46AF56C7D4/Biography

https://en.wikipedia.org/wiki/Jan_Toorop#Biography

Odilon Redon

“The sense of mystery is a matter of being all the time amid the equivocal, in double and triple aspects, and hints of aspects (images within images), forms which are coming to birth, or which will come to birth according to the state of mind of the observer.”

-Odilon Redon, Notes to Himself

Odilon-Redon_The-Smiling-Spider_cropped

Odilon Redon The Grinning Spider 1881 via Galleryintell.com 

The place we go to find ourselves is often the place we fear the most. We procrastinate and put that place where we dwell on hold for when life gets easier and when things feel more comfortable. The only thing is we as humans hide pieces ourselves in the most uncomfortable places.

 

 

 

 

James Abbott McNeill Whistler

 

Whistler_James_Symphony_in_White_no_2_(The_Little_White_Girl)_1864

 

Whistlers early and consistent use of musical titles ‘nocturnes’, ‘symphonies’ and ‘arrangements’, helped to confirm the impression that the visual arts ought to aspire towards the condition of music; and his decorative ideas- such as the use of a peacock- feather pattern in the room which he painted for his patron F.R. Leyland- were extensively plagiarized.

According to Edward Lucie-Smith in his book titled Symbolist Art, “There is some current disposition to underrate Whistler and write him off as an essentially isolated artist. To do this is to distort the history of the art of his time, in which he was, and remained an influential, even central, figure.” I think very often we as artists forget how much effort it takes to stay in solitude to complete a piece. Outside of the art world they may never understand the amount of copious hours we spend hacking away at our projects. If you’re all in, it’s a constant battle to stay focused and build your piece into something you can be proud of. Even here with Whistler people are ready to write him off as an isolated artist, but how we work on our art is how we inspire others and help other creators of our time. This is being part of something. So those of you who are struggling to focus because people say you’re spending too much isolated time on your masterpiece, you’re part of the crowd and you are not alone.

 

 

You can check out where I got the pics from here:

Wikimedia Commons

File:Whistler James Symphony in White no 2 (The Little White Girl) 1864.jpg

and here”

Encyclopedia Britannica

https://www.britannica.com/biography/James-McNeill-Whistler