Alive

There’s your right and your wrong

there’s your ceiling and your floor

But my right is not your right

and your lies are absolutely my wrong

There’s a path I chose to take

it was dark and winding

it was lonely

the type of lonely I wish on no one

but I persevered

and I came back

with new thoughts and new ideas

and a refusal to be part of the status quo

and

A refusal to return to the chains that bound me

-Saschia

Art It Up

“There is something collective in art especially art done in solitude.”

If you’re feeling like the world is getting to you, like you just can’t get a break, make some art. You will still hurt. You will still be soft but every time you share your guts, one more person will be less alone. But don’t do it for the others no, do it because this is the most important thing on your list.

There’s going to be a million people who tell you how to live, how to spend your money, when to laugh, but…Read More

View at Medium.com

The Gift of Thought

We are strongly encouraged to live on autopilot day in and day out but we need time to rest so that we can think clearly. It is not necessary to be able to recall information at warp speed, but we do need to give our brains what our brains need. Here’s a list of a few things our brains thrive off of and that help me take full advantage of my thoughts.

Read more…

James Abbott McNeill Whistler

 

Whistler_James_Symphony_in_White_no_2_(The_Little_White_Girl)_1864

 

Whistlers early and consistent use of musical titles ‘nocturnes’, ‘symphonies’ and ‘arrangements’, helped to confirm the impression that the visual arts ought to aspire towards the condition of music; and his decorative ideas- such as the use of a peacock- feather pattern in the room which he painted for his patron F.R. Leyland- were extensively plagiarized.

According to Edward Lucie-Smith in his book titled Symbolist Art, “There is some current disposition to underrate Whistler and write him off as an essentially isolated artist. To do this is to distort the history of the art of his time, in which he was, and remained an influential, even central, figure.” I think very often we as artists forget how much effort it takes to stay in solitude to complete a piece. Outside of the art world they may never understand the amount of copious hours we spend hacking away at our projects. If you’re all in, it’s a constant battle to stay focused and build your piece into something you can be proud of. Even here with Whistler people are ready to write him off as an isolated artist, but how we work on our art is how we inspire others and help other creators of our time. This is being part of something. So those of you who are struggling to focus because people say you’re spending too much isolated time on your masterpiece, you’re part of the crowd and you are not alone.

 

 

You can check out where I got the pics from here:

Wikimedia Commons

File:Whistler James Symphony in White no 2 (The Little White Girl) 1864.jpg

and here”

Encyclopedia Britannica

https://www.britannica.com/biography/James-McNeill-Whistler

 

Paul Gauguin

Eugène Henri Paul Gauguin was a French post-Impressionist artist. Gauguin is now recognized for his experimental use of color and Synthetist style that were distinctly different from Impressionism.

gauguin
Paul Gauguin’s The Seed of the Areoi via google

We never really know what stupidity is until we have experimented on ourselves.
-Paul Gauguin

Going off the well trodden path is much harder than people say. He also said,

In art, all who have done something other than their predecessors have merited the epithet of revolutionary; and it is they alone who are masters.

One of our greatest painters feels anyone who does something different is a master. I think I might have to take him up on that challenge. Keeping in mind that while experimentation is exciting and important, it’s also important for me to hang onto my own voice and those little gems that are part of my story. I’d rather have something new that’s genuine than something that’s experimental and fake.